ITO Hirotoshi
| 1982 | B.F.A., Tokyo National University of Fine Arts and Music |
| 1958 | Born in Matsumoto City, Nagano Prefecture |
Ito is very active in promoting the growing contemporary craft traditions of Nagano area, and twenty years ago he and his friends initiated a grass roots project which has grown into an annual craft festival in Matsumoto City, for which he now serves as President.
Solo Exhibitions
Numerous number of solo and group exhibitions are held all over the place in Japan since 1982.
| 2019 | Pleasure of Paradox, Keiko Art International |
| 2017 | Mysterious Stones, Gallery Little High, Tokyo (’15) Nagoya Mitsukoshi, Aichi |
| 2016 | Ito Hirotoshi Stone Works, Gallery Space M, Gunma Gallery Hiro, Nagano |
| 2013 | Sibuya Seibu, Tokyo |
| 2012 | NUKUNUKU, Saitama |
| 2011 | Pleasure of Paradox '11, KEIKO Gallery, Boston (’08) Ikebukuro Seibu, Tokyo |
| 2010 | Tennozu Aisle, Tokyo |
| 2009 | Marble and Stone Sculpture, Gallery East, Australia |
| 2007 | Tennozu Aisle, Tokyo |
| 2006 | Laughing Stone, Asahi Museum, Nagano |
Group Exhibitions
| 2018 |
Artists’ Night, 2018, Villa Domuse, Honfleur, France Ito Hirotoshi + Satoh Yohichi, Inoue Gallery('16, '14,'12) |
| 2017-8 | Exposition Caillou Papier Ciseaux, Spacejunk Art Centers, Bayonne, Lyon, Grenoble |
| 2017 | Fantastiske Figurationer, Galerie Knud Grothe, Denmark('16, '15) |
| 2015-6 | HEY! Act III, Modern Art & Pop Culture, Mairie de Paris, France |
| 2013 | Art Fair Tokyo, Tokyo |
| 2009 | Perfect Fit—Shoes Tell Stories, Fuller Craft Museum, Brockton MA MIASA EXHIBIT, Mendocino, CA SOFA New York (’08, ’07) |
| 2008 | SOFA Chicago (’07,’06) |
| 2007 | Japan Month in Houston: Contemporary Japanese Arts and Crafts |
| 2001 | Designed and Produced a Monument for Azumino Chihiro Museum |
| 1992 | Exhibition-Abitare II Tempo, Verona, Italy |
| 1990 | Tokyo Daily Art Competition |
| 2002 | The Fifth Trick Art Competition |
| 2000 | The Forth Trick Art Competition |
| 1997 | The Third Trick Art Competition |
| 1989 | Atelier Nouveau Competition |
| 1987 | Atelier Nouveau Competition |
- Matsumoto City Library, Nagano
- Shiroyama Park, Matsumoto, Nagano
- Saint Paul Church, Karuizawa, Nagano
- Hofukuji, Shigamura, Nagano
- Love and the People's Path, Nerima, Tokyo
- Chihiro Museum, Azumino, Nagano
Medias
My family has been involved in stone work since 1879. From my birth I grew up surrounded by various kinds of stone and work such as stone lanterns and graves tones. Although I was determined to eventually take over my family business, I entered the Metal Work Department of Tokyo University of the Arts. The stimulating encounters with other metal artists in the school, and their work, became the foundation of my way of thinking and of my creativity. My work can be divided into two groups. One is solid sculpture carved from marble or granite where I alter the natural surface of the stone into sculptural forms that do not appear to be stone but some other material. The other group is made from beach stones where I use the natural forms of the stones and make alterations and additions that give the natural stones different character. All of my work in both categories relates to the ordinary images, objects and experiences in daily life. A prominent characteristic of both types of my work is my attempt to create the illusion that the stone is something MORE than stone or is a different material altogether. Matsumoto City, where I live, is surrounded by splendid mountains and is richly endowed with natural beauty. The stones delivered from these mountains have been washed by fresh streams of water over very long periods of time, and each stone has a unique form that has been created naturally. As I gather stones on the riverbank, I imagine stories and works of art I can create with them. However, I try to emphasize the natural shapes, colors and beauty of these stone and generally try not to change their original shapes. Respecting and utilizing the natural characteristics of original material is a very old and important aspect of Japanese culture. We have a concept of creativity known as mitate, which involves creating new values by taking something that holds certain significance in one context and placing it in a different context. A typical example is the raked gravel in a temple garden that resembles flowing water. Although I am a contemporary artist I feel that such ancient Japanese concepts are deeply embedded in my DNA.